August 21, 2010

MUSINGS FROM AJNI

Dear Lynne,
.
Last month I had been on a ramble through the Ajni railway colony here in Nagpur and have come up with some interesting findings. Did you say you had visited Ajni back when you were a kid—or was it someone else? I tend to get a bit forgetful these days. The old landmarks are still there, but oh, what a crowd ! Hateful crowds on that road overbridge that spans the railway tracks below. Bikes and mobikes and scooters and autorickshaws, youngsters zooming past treacherously, everyone seems to be in a mad rush from morning to night. You cross the overbridge and begin to descend to find that a row of shops have sprung up, mostly cheap restaurants, photocopy, phone booths, and paan and cycle repairs of course. But it is still calm and quiet within the colony. You will still find those brick-red bungalows nestling among a jungle of trees and families seated on chairs drawn up in the frontyard chatting away or plainly savouring the calm and solitude of the greenery around. Then there’s that cheerful little church, St Anthony’s RC Church, where on Sunday mornings you can hear the congregation singing hymns of praise. The melody floats out, soft and sweet, mingling with the breeze and the gentle rustle of the trees, so quiet and restful.
.
Ajni is a good 3 kms south of the main railway station. Why have a railway colony so far-removed from the station? As far as I know, there is no rule that says a colony has got to be next to the station. The easiest way to see why a colony came up here is to take a peek at the goods yard from atop the road overbridge. The Ajni goods yard was a wagon interchange point and was built nearly a century ago, a vast establishment complete with all the necessary accompaniments of signal cabins, Yardmaster’s office, carriage and wagon repair shop, transshipment platform, and loco shed. You can see the engine shed and the turntable installations in the pictures here. While railway officers stayed in bungalows specially built for them in the Civil Lines area, Ajni became home to a large number of operating staff. Drivers, guards, stationmasters, signalmen, traffic superintendents, loco foremen, ticket examiners, shunting masters, and pointsmen all lived in Ajni. While some of these men served in the goods yard close by, others worked in shifts at the main railway station. Remember that tiny 4-carriage train chugging between Ajni and Nagpur stations? I wonder when this train was first begun. I love to call it the ‘Ajni School Bus’ for it was just that : it carried workers staying in Ajni to the main railway station and back. There were 4 services each day, and in between runs the train was stabled in the Ajni steam loco shed.
.
Over the past few decades a good many things have changed, some have even disappeared. The Ajni humpyard is a quiet place today, there is very little shunting, 4-wheeler wagons have passed into history and you won’t find a steam loco anywhere. Horrors ! As for the quaint little passenger train, alas, it was shunted out of use years ago. A tell-tale sign remains though: to the east of the goods yard you will find remnants of a deserted platform where the local train halted, barely recognizable today with overgrown shrubs and railway offices coming up along its length.
.
I hate to see homes with sloping tin roofs, but this is how the bungalows in Ajni are. They were probably built with tiles to begin with, and later replaced with corrugated tin. Even the Institute has been subjected to this disfigurement and retains only a part of its splendid tiled roof.
.
Ah, the Ajni European Institute …. What colourful images it brings to mind !! Margaret Deefholts tells me that no true-blue Anglo Indian get together at a railway Institute would be worth the name without everyone getting up on the floor and dancing. “Jiving was an Anglo Indian speciality,” she tells me, “and New Year’s Eve saw the dance floor absolutely thronged with people—competitions, novelty dances, exhibition dances, you name it ….”
.
I stepped into the Ajni Institute where a cheerful looking keeper seemed to be eager to show me around. Through a door in the reading room I was led into a large hall with a floor made of wooden planks. This hall, equipped with a wooden stage at one end, also doubles up as an indoor badminton court. Later as he took me around the building, my companion showed me what appeared to be tiny ‘ventilators’ in the walls close to the ground. These air vents let in air below the wooden floor with the object perhaps of keeping the planks free from rot, although the exact purpose served by this arrangement still remains unclear.
.
From the main hall I was led into a smaller hall having a decorative tiled floor. This was the dance hall I was told. My gaze swept across the room in wonderment; the tiles, hexagonal in shape, were dull red in colour spaced at equal intervals with cream coloured ones, and covered every inch of the floor from wall to wall. High up above me was the somber ceiling, its dark wooden beams set in a V-shaped pattern. The place is damp and cold, the floor hasn’t been scrubbed for ages. A sudden gust of wind set the wooden framework high above creaking and groaning, a door banged shut with a crash, followed by an eerie silence again. Then as if out of nowhere came the sound of laughter and murmur of voices, a jazzy tune playing from a hand-cranked gramophone and a jolly group of men and women are seen waltzing all over the floor. The lights are bright, the floor sparkling, the revelers are in high spirits. They pause momentarily. They have seen me, and now they throng around me asking me to join the dance. How very grand !!
.
I wake up with a start to find my companion tapping me on my shoulder. The lights are gone and I can smell the damp and cold again. Bhonsle the keeper shows me a window through which drinks were served from the bar. I tried to open it but the shutter was set fast. This place is full of memories. It takes you back in time when Anglo Indians were at their peak and proudly ran the railways of India. The Institute was really built for them.
.
Later I walked around the Institute in solitude. The decorative wooden beams and pillars on the outside have begun to chip away. At the backside which faces west, high up above on the masonry the year ‘1916’ can be seen marked in large sized raised letters. Today, more that nine decades later, the Institute is only a hazy reflection of what it once used to be. Before I left, the keeper showed me a tiny library room where stored away in a cupboard were two large boxes. One was an old radio set, perhaps a Murphy, working on valves and now out of use. Remember the tiny red glow seen through the back cover slowly appearing after the set was switched on? Next to the radio was an antique 16mm cinematograph used to project films in the main hall. Both these antiques are out of order, and sadly no one at the Institute could tell me the make. The projector I guess might be a Bell & Howell as this was a big name in portable film projectors in those days.
.
I will sign off now. Shall tell you more about the Ajni railway colony later.
.
Best wishes,
.
Ravindra

August 7, 2010

A TRIBUTE TO PETER BAWCUTT

PETER BAWCUTT passed away in 2001 or thereabouts, and were it not for the late Terry Martin, DHR activist and author of The Iron Sherpa, we would have known nothing about Peter and his love for the railways of the Indian subcontinent. Terry wrote: "The hymn All things bright and beautiful ... could be heard resounding with great gusto outside the village church of Herne in Kent. Indeed, there could not have been more appropriate words for the family and friends to sing, for they had come together to pay their last respects to Peter Bawcutt.
.
"I had first known of Peter when I was a schoolboy, for I would spend hours journeying across the pages of my atlas, travelling on the railways captured by his incomparable photographs that took me far across the shifting sands of the Middle East to my ultimate goal, India. . . " Read the full text of Terry's piece on this page from the Summer 2001 issue of the Indian Steam Railway Society Newsletter:
.
http://www.indiansteamrailwaysociety.in/isrs6.html
.
A selection of Peter Bawcutt's pictures of the railways in India are now available, and can be seen by clicking on the thumbnails on the following page:
.
http://www.scienceandsociety.co.uk/results.asp?image=10446592

.
Is there anyone in Herne or elsewhere who could tell us more about Peter, his work, and his passion for the railways of India ?

August 5, 2010

THE ANGLO-INDIAN MOTORMAN

When I think of Rajendra Aklekar, it brings to mind the picture of a researcher who is often out in the field armed with a camera, notebook and pen, even perhaps a pair of binoculars !
.
Well, that is what he is : a journalist, reporter, researcher, even railway archaeologist !! Here's one more piece of writing by him telling about Charles Francis Amarol, one of Bombay's oldest motormen. Cheers.

August 1, 2010

SUSPENSION ORDER

I was posted as Assistant Station Master in the 1960s to Butibori station on the Nagpur-Wardha main line, where I found the operating work load was very heavy. A new branch line had been laid from Butibori to Umrer colliery to bring in coal. At that time Butibori was not an industrial area. The station was a small one, with only one platform and two loops, and a few sidings. A steam engine stationed in Butibori carried empty wagons to the colliery and returned with wagons loaded with coal. We had to inform the Section Controller in Nagpur the number of wagons to be dispatched. He would then send an engine from the Central Railway locoshed in Ajni with driver plus guard, and this would come and carry the coal train to Nasik and areas in Gujarat.
.
I had even worked earlier as a Relieving ASM in Bombay VT station. As the name indicates, a Relieving ASM acts as a standby to take over charge when a regular station master can’t report for work on account of illness and other circumstances. The job of a Relieving ASM can be a dreadful one: there’s no telling when you will be sent off to a distant, unheard of place. Station masters in those days were taught Morse code as part of their training in the Zonal Training School. I took my training in Bhusaval, and the training in Morse didn’t go waste as I would be sometimes posted to tiny far flung places on lines where the job of getting line-clear for an approaching train was accomplished telegraphically.
.
The operating workload in Butibori was, as I said, quite heavy. The colliery line was newly opened and especially during the monsoon the signals and points were inoperative most of the time. Coal trains coming from Umrer halted at the outermost signal which was not working, and a letter of authority would have to be prepared and sent to the driver allowing him to draw into the station. At other times, the points would give trouble. We were only two ASMs working under a Station Master, and the result was that we were hardly left with any time to do the commercial side of our work. In addition to ‘operating’ work, station masters have to prepare commercial returns, do establishment work and other related jobs, but the conditions at the station meant that it was well nigh impossible to do these jobs satisfactorily. The Divisional Commercial Manager in the Nagpur office was a man called Borge (name changed). Borge did not seem to understand the gravity of the situation, and kept asking us to carry on to the best of our ability. Finally, we gave it in writing that with the heavy operating workload in Butibori, we were in no position to tackle commercial work.
.
Borge was enraged and called us over to Nagpur. We stood in front of the Divisional Railway Manager and were made to explain our position. Borge too was present at this meeting, and he made it into a prestige issue. It looks as if he had already poisoned the boss against us during our absence, for the DRM seemed to be in no mood to listen to our grievances. In the end all three of us were suspended from work.
.
Now what were we to do? Suspension is bad enough, but during this period, we had to travel daily on our own expense from Butibori to Nagpur to report at the Divisional Commercial Manager’s office, and this carried on for nearly a month.
.
While all this was going on, a Stationmaster had been posted to Butibori, and with the limited staff there, he began to find things getting out of hand. There was no relief for the poor man, so finally the Divisional Operating Superintendent at Nagpur decided to take us back. The charge-sheet against us was withdrawn and we were sent back to Butibori to join work. Within a few months time, all three of us were transferred; I was sent to Barsali, a tiny station, the others found themselves shunted off to similar places like Majri, etc. It was all so terrible. We had suffered for no fault of ours.
.
Back in Nagpur, the incident created ripples in the railway office, and a Personnel Inspector was sent to Butibori to study the work density. He found the situation exactly as we had reported. Butibori seemed to offer challenging problems such as were not found elsewhere, and on the Inspector’s recommendation, a Commercial Clerk was finally posted, leaving the station staff free to do their regular work.
.
By then, we had already paid a heavy price. For nearly 30 days during suspension we had spent money traveling from Butibori to Nagpur and back. Our salary had been withheld, and now we all found ourselves transferred to tiny far off places. It was sheer mental torture, and in the process our families too had suffered. Nothing of all this would have happened if DCM Borge had shown some understanding in the first instance.
.
We decided we would make the authorities pay for this. We put up the matter through the Railway Workers Union telling the whole story, and demanded full payment of salary as well as traveling expenses. Our complaint evoked a favourable response. Borge had been transferred to Bombay in the meantime, and the DRM’s Office found we had a perfectly valid reason to complain, and passed an order asking Borge to make full payment of salary plus travelling charges, all from his own pocket. We had won the case at last !
.
I can’t help feeling sorry for Borge, he must have shivered in his pants on being served the order. Then one day, a Commercial Inspector came up to me and began speaking about the case. He advised me saying it would not be wise to claim the money from Borge, seeing that he was a senior official who might be transferred back to Nagpur some day, and this could mean trouble for me. Whether this was a threat issuing from Borge, or a genuine piece of advice, I can’t say.
.
A few months later Borge was in Nagpur and sent unofficial word to us saying he would like to see us. He was here on a commercial inspection and we were to meet him in his officers’ saloon stabled on a siding in the station. The three of us arrived at Nagpur station, and were warmly received by the gentleman who made us feel very comfortable in his saloon, even offering us refreshments. He seemed pleased and congratulated us on winning the case. Borge never spoke of the payment he owed us, but assured us he would recommend us for transfer to more suitable locations.
.
The official had been very cordial with us, and seeing that he had repented of his mistake, we did not feel like pursuing the matter of payment any further. Better to forgive and forget !
.
Borge proved to be as good as his word. Within a short time my friends were transferred to Nagpur, and I was posted to Amla, a big station close to Betul. It was such a great relief for us all. All is well that ends well !!
.
VINOD NANEKAR
Dy. Station Superintendent (Retd)
Central Railway, Nagpur